What inspired you to write The Giant and the Sea?
The opening sentence “There was a giant who stood on the shore of the sea” which sprang from a nap – which has to have been the most productive nap of my life. I had it stuck in my head while I was working on a novel (see question 5), and I decided I needed to know where it went. I followed the sentences, and the rhythm of the story, and I was surprised where it led me. Which is always (well, mostly) a good thing!
Obviously, the themes of the book around climate change have been playing on my mind, and I’d like to think I’m far from the only one, it’s just one of my responses was to write a story about a brave girl and a giant.
This is such a beautiful and deeply moving story. What message do you want kids to take away with them after reading The Giant and the Sea?
That even in the darkest times there is still hope but also to question perceived or comfortable wisdom. Often our culture gets by on ignoring uncomfortable truths and that’s where stories can help us: they’re a safe space to start a discussion.
We’ve had our giants (scientists) warning us for decades that the climate catastrophe was coming. It’s well past time that we listened to them as a community and did something.
Responding to climate change means making big changes to our society, and none of them are going to be easy. But if we do it together, as a community, we can make it easier for everyone. There’s a brave girl in this story, but I believe we can all be brave and if we work together bravely and compassionately we can change the world for the better.
The illustrations in this book are gorgeous. How did you end up working with Rovina Cai and what was that process like?
I adore Rovina’s artwork, and I am so lucky that she agreed to illustrate the story.
She was the artist that I wanted from the start of the project. From the moment my agent Alex Adsett suggested her and I checked out her work I knew that she would be the perfect fit for the book. The stars aligned so that she could do the work, and now I can’t even imagine anyone else illustrating it. It was wonderful seeing the work develop, though I didn’t see much of the artwork until late in the process. The words came first, then the art, and then in the final stages of editing we tweaked a few things amplify the resonance between the words and the pictures.
I’m no artist so I was happy to be a bystander looking on in wonder at that side of things. I was lucky too that Hachette treated me so gently, the editorial team of Suzanne O’Sullivan and Sophie Mayfield were fabulous. I didn’t really know what to expect with a picture book, but I hadn’t expected it to be so much fun. Hannah Janzen did the design work on the book, and that really brought everything together.
As you can see, a picture book is a team effort. We’ve all made something that I am very proud of, and very proud to share with these wonderful artists.